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Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
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1. | Mahot, Augustin; Indy, Vincent de (eds.) | 100 chorals / Joh. Seb. Bach. Version française par Augustin Mahot. Avec une préface de Vincent d'Indy. Leipzig: Breitkopf, [c.1915] 35, [35?], 35, 35p. Best.-Nr.: Edition Breitkopf, 2121 - 2124; Pl.-Nr. V.A.2121 - 2124 [Vol. 1: Nos. 1-25; Vol. 2: Nos. 26-50; Vol. 3: Nos. 51-57; Vol. 4: Nos. 76-100] | EdBreitkopf | 2121-4 | 35, 35, 35, 35p | ||||
2. | Hattori, Ryutaro | 100 Dai Ongakuka no Shogai to Geijutsu. [The Life of 100 Great Musicians and their Arts] - Tokyo: Arusu, 1925. 527, 26p. [Bach = pp.7-14] | 527, 26p | ||||||
3. | Leys, Peter | 10 Jaar Johannespassion door Cantabile-Gent. [Ten years with the Johannespassion: Cantabile-Gent] | EvenAanzoemen | 26 | 2 | 6-7 | |||
4. | Chrysander, Friedrich (ed.) | 12 kleine Präludien. Hrsg. von Friedrich Chrysander. - Wolfenbuettel: L. Holle [1857]. pp. 9 (title-page), 10-22. Pl.-Nr.: (342). (= Johann Sebastian Bach. Sammlung der Clavier-Compositionen, I Band, H.2) [BWV 933-938 (6 preludes); BWV 999 (for lute); BWV 925, 927, 928, 930 (aus dem Klavierbüchlein f. W.F.Bach); BWV 941 (aus der Präludien BWV 939-943)] | SamClavComp | 1 | 2 | 10-22 | |||
5. | Szendy, Arpád (ed.) | 15 ausgewählte kleine Praeludien. Budapest: Rozsnyai [1906] (= Klavierwerke / Johann Sebastian Bach. Neu einger., m. Fingersatz, Vortragszeichen u. ungar.-deutschen Anmerkungen versehen v. Arpád Szendy) | |||||||
6. | [Mendelssohn Bartholdy, Felix] (ed.) | 15 Grosse Choral-Vorspiele für die Orgel von JOHANN SEBASTIAN BACH. Leipzig: Breitkopf & Härtel; London: Coventry & Hollier, [1846]. 2-48p. Pl.-Nr.: 7492. - Repr.: Leipzig: Breitkopf & Härtel, [1895]. 48p. Pl.-Nr.: V.A. 1237. [BWV 651-663, 740, 667] (BWV 664-666 are not contained) | 48p | ||||||
7. | Szendy, Arpád (ed.) | 15 háromszólamú inventió. Fokozatos összeállításban, ujjrenddel, elõadási jelekkel és jegyzetekkel ellátta Szendy Árpád. = 15 dreistimmige Inventionen progressiv geordnet, neu eingerichtet, mit Fingersatz, Vortragszeichen und Anmerkungen versehen von Szendy Arpad. - Budapest: Rosznyai Karoly [1906]. 41p. Pl.-Nr.: R.K. 193. (= Rozsnyai Karoly Kiadasa, No. 193) [BWV 787-801] | 41p | Latin 2 | |||||
8. | Chrysander, Friedrich (ed.) | 15 Inventionen und Sinfonien. Hrsg. von Friedrich Chrysander. - Wolfenbuettel: L. Holle [1857]. pp.67 (title-page), 68-110. Pl.-Nr.: (344). (= Johann Sebastian Bach. Sammlung der Clavier-Compositionen, I Band, H.4) [BWV 772-801] | SamClavComp | 1 | 4 | 68-110 | |||
9. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (eds.) | 15 inventions à 2 voix -- 15 inventions à 3 voix. Leipzig: Peters, [c.1887]. 3 (Inhalt. u. [Vorwort]), 4-39p. Best.-Nr.: Ed. Peters 201. Pl.-Nr.: 7179. (= Klavierwerke von Joh. Seb. Bach. Hrsg. von Czerny, Griepenkerl u. Roitzsch) [BWV 772-801] | EdPeters | [201] | 39p | ||||
10. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (eds.) | 15 inventions à 2 voix -- 15 inventions à 3 voix Leipzig: Peters, [c.1900, R/1900, 1926, 1952, u.a.]. 63p. Best.-Nr.: Ed. Peters 201. Pl.-Nr.: 8275. (= Klavierwerke von Joh. Seb. Bach. Hrsg. von Czerny, Griepenkerl u. Roitzsch, 4) [BWV 772-801] | EdPeters | 201 | 63p | ||||
11. | Szendy, Árpád (ed.) | 15 Kétszólamu inventió. Fokozatos összeállításban, ujjrenddel, elõadási jelekkel és jegyzetekkel ellátta Szendy Árpád. = 15 zweistimmige Inventionen progressiv geordnet, neu eingerichtet, mit Fingersatz, Vortragszeichen und Anmerkungen versehen von Szendy Arpad. - Budapest: Rosznyai Karoly [1906]. 33p. Pl.-Nr.: R.K. 186. (= Rozsnyai Karoly Kiadasa, No. 186) [BWV 772-786] | 33p | Latin 2 | |||||
12. | Taylor, Franklin (ed.) | 15 three-part inventions / Bach. [Edited by] Franklin Taylor. - London: Augener, 1913. 33p. Best.-Nr.: Augener Edition, 8019. Pl.-Nr.: 14570. - London: Stainer & Bell ; New York: Galaxy Music Corp., c1913. 33p. (= Joh. Seb. Bach's pianoforte works) [BWV 787-801] | AugenerEd | 8019 | 33p | ||||
13. | Taylor, Franklin (ed.) | 15 two-part inventions / Bach. [Edited by] Franklin Taylor. - London: Augener, c1913. 31p. Best.-Nr.: Augener's Edition, No. 8018. Pl.-Nr.: 14568. - repr. London: Stainer & Bell, New York: Galaxy Music Corp., [1973?], c1913. 31p. Pl.-Nr.: 8018. [BWV 772-786] | AugenerEd | 8018 | 31p | ||||
14. | Szendy, Árpád (ed.) | 15 válogatott kis praeludium / Bach. Fokozatos összeállításban, ujjrenddel, elöadási jelekkel ellátta Szendy Árpád. [Hatodik kiadás] = 15 ausgewählte kleine Praeludien progressiv geordnet, neu eingerichtet, mit Fingersatz, Vortragzeichen und Anmerkungen versehen von Szendy Árpád. ... - Budapest: Rozsnyai Károly [1906]. 25, [i]p. Pl.-Nr.: R.K.180. (= Rozsnyai Károly Kiadása, No. 180) - repr. Budapest: Zenemükiadó Vállalat, 1956. 24p. Pl.-Nr. Z. 59. [BWV 924, 926, 927, 929, 930, 933-942] | 25p | ||||||
15. | Taylor, Franklin (ed.) | 15 zweistimmige Inventionen / Joh. Seb. Bach. Neu rev. Ausg. von Fr. Taylor. - Mainz [u.a.]: Schott, [s.a.] 31p. Pl.-Nr. 0852/4. [BWV 772-786] | 31p | ||||||
16. | Wollny, Peter | 1700-Nen Zengo no Kyokai Ongaku no Janru to Yoshiki. [Gattungen und Stile der Kirchenmusik um 1700.] Trans. by Hiroshi Nonaka. | [ce]BachKantataNoSekai | 1 | 43-66 | ||||
17. | I, Ga-yeong [Lee, Ka-young] | 1733-nyeon, geurigo Baheu yi ilsang: 1733-nyeon misa wa sesogkantata [The year 1733 and Bach's daily routine: The Mass of 1733 and the secular cantatas] | SeoyangEumaghag | 18 | 3 | 105-128 | |||
18. | Dalley-Scarlett, R. | 1750-1950. | Canon | 4 | 262-267 | ||||
19. | Tomita, Yo | 1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [Vienna in 1780s and Well-Tempered Clavier II: a complex and unique reception history seen through the transmission of sources]. A paper read at Kanto Chapter meeting of the Musicological Society of Japan on 8 February 1997 held at Kunitachi College of Music, Tokyo. http://www.mu.qub.ac.uk/tomita/wc2wien/wc2wien.html | [p]MSJ_Tokyo | ||||||
20. | Hamada, Yoshimichi | 17-Seiki Shoto no Itaria Ongaku. [Italian Music in the early 17th century] | BCJ | 19 | |||||
21. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. | diss. | ||||||
22. | Osumi, Kinya | 18 no Korarushu (BWV 651-668) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On The Eighteen Chorales, BWV 651-668; commentary] | BachZenshu | 10 | 242-250 [47-55] | ||||
23. | Suematsu, Yoshimi | 18-Seiki Doitsu no Gengo to Bunka. Dai-10 Ko [Chapter 10] [Language and Culture of 18th-century Germany] | [ce]KyoyoToShiteNoBach | 132-145 | |||||
24. | Maezawa, Kyoko | 18-seiki Doitsu Ongaku to Concerto Keishiki: Italia Ongaku ni Hanei sareta J. S. Bach no Hatten o Shiya ni. [The 18th-century German music and Concerto style: examining Bach's artistic development reflecting Italian music.] | Bandaly | 3 | 3-19 | ||||
25. | Oka, Tamayo | '18seiki no Enso Jissen' ni yoru Piano de hiku J.S. Bach. [Performance practice for 18th century. J.S. Bach's pieces on the piano] | BulMusashinoAcadM | 39 | 19-41 | ||||
26. | Taylor, Franklin (ed.) | 18 short preludes / Bach. London: Augener, [c1913, R/1948] 27p. Pl.-Nr.: 14528, 14529. Best.-Nr.: Augener's edition, no.8020. (= Joh. Seb. Bach's pianoforte works / edited by Franklin Taylor) [12 short preludes (BWV 924, 939, 999, 925, 926, 940, 941, 927, 928, 929, 930, 942) -- 6 short preludes (BWV 933-938)] | AugenerEd | 8020 | 27p | ||||
27. | Mehne, Wendy Herbener | 18th-Century Woodwind Articulation. [BWV 1034, 1032, 1030, 1035] | FluteTalk | 13 | 8 | 13-15, 23 | |||
28. | Yoshinari, Jun | 19-Seiki ni okeru Bach. Dai-13 Ko [Chapter 13] [Bach in the 19th Century.] | [ce]KyoyoToShiteNoBach | 174-185 | |||||
29. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. | diss. | 123, 70, 2p | |||||
30. | Tomita, Yo | 19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [Various aspects of Bach Reception seen through the 19-century editions of Bach's works] Paper read at the 62nd Annual Conference of the Musicological Society of Japan held on 5-6 November 2011 at the University of Tokyo. | [p]MSJ_Tokyo | ||||||
31. | Piatigorsky, Gregor (arr.) | 1er concerto / [J. S. Bach] [bearb. von Gregor Piatigorsky] [Klavierpartitur, Stimme] - Mainz [u.a.]: Schott, c1934. 11p + 1 St. Pl.-Nr. B S S 34237. (= Konzert-Transkriptionen für Violoncello und Piano / Piatigorsky, Gregor, 5) [BWV 592] | 11p + 1 St | ||||||
32. | Bruyck, Carl van | 1. Johann Sebastian Bach. Von C. H. Bitter. -- Zwei Bände im Verlage von Ferdinand Schneider in Berlin. / 2. J. S. Bach's Werke, herausgegeben von der Bach-Gesellschaft im Verlage von Breitkopf und Härtel in Leipzig. I.-XIII. Band. cont. in H. 32,34,35,38,39,40,41,42,43 (1865) 499-501; 530-533; 550-552; 597-602; 611-615; 627-633; 644-649; 660-664; 676-681 | MsTheaterM | 11 | 31 f | 484-487 f | |||
33. | Nemerowsky, Alexandre (arr.) | 1re Partie du Concerto No. 1 / Joh. Seb. Bach transcr. p. Org.-Hrm. (ou Piano) p. A. Nemerowsky. - Moskau: Jurgenson [1902] | |||||||
34. | Kull, Joyce Shupe | 2005 FAGO Exam Bach Repertoire, Fugue only, from Prelude and Fugue in E-flat, BWV 552; Un poco allegro (final movement) from Trio Sonata No. 4 in E Major [sic], BWV 528. | AmerOrganist(2) | 39 | 3 | 74-75 | |||
35. | Osumi, Kinya; Kato, Hiroko (eds.) | 200 CD Bach Meikyoku, Meiban o kiku. [Listening to Bach Masterpieces and Brilliant Recordings in 200 CDs] Tokyo: Rippu shobo, 2000. 240p, xvi p. ISBN-10: 4651820468, ISBN-13: 978-4651820460; rev. edn. 2003. | 240, xvi p | ||||||
36. | Ridgway, Lee | 2012 Eastman Rochester Organ Initiative. [Review of American Bach Society meeting] | AmerOrganist(2) | 47 | 3 | 50-53 | |||
37. | Le Couppey, Félix (ed.) | 20 pièces classées par progression de difficulté / Séb. Bach Paris: Hamelle, 1927. 55p. Pl.-Nr. F. L. C. 33. (= École normale du piano ouvrages annotés et doigtés par F. Le Couppey, 9) [BWV 927, 992/3, 823/3, 772, 865/1, 862/1, 846/1, 884/1, 933, 777, 829/3, 881/1, 900/1, 937, 810/5, 928, 935, 817/6, 860/1, 829/1] | 55p | ||||||
38. | Yppiroglu, Nazan; [Ipsiroglu, Nazan] | 20. yüzyil sanatinda J.S. Bach. [J.S. Bach in 20th-century art] Istanbul, Turkey: Pan yayincilik, 2002. 119p. ISBN: 975-8434-38-1. | 119p | ||||||
39. | Autry, Philip | 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. | Clavier | 37 | 8 | 13-15, 17-18, 20 | |||
40. | Webster, Mary Phillips (ed.) | 263 settings of 73 chorale melodies / Johann Sebastian Bach. Edited for analysis and comparison by Mary Phillips Webster. - Cambridge, MA [Edwards Bros., Anne Arbor, Michigan], 1942. 104p. - 2nd edn. [edited by B. F. Warren-Davis], London and Wiscasset [Maine]: Wiscasset Music Publishing Company, c1982. 89p. | 104p | ||||||
41. | Niemeyer, Annemarie | 265 Jahre Arnstädter Bach-Orgel. Zum 39. Deutschen Bachfest der Neuen Bachgesellschaft in Weimar von 25. bis 28. September 1964. Hrsg. vom Deutschen Kulturbund Arnstadt, Arbeitsgemeinschaft für musik und Bachpflege. | 12p | ||||||
42. | Taylor, Stainton de Boufflers (ed.) | 2 Chorale Preludes manualiter, Allein Gott in der Höh' -- To God on High Above; Aus tiefer Noth -- In My Despair I Cry to Thee. Arranged for one manual and pedal by Stainton de B. Taylor. - London: Hinrichsen Edition, c1954. 7p. Pl.-Nr.: 376. (Hinrichsen Edition, No. 376a.) | HinrichsenEd | 376a | 7p | ||||
43. | D'Indy, Vincent (ed.) | 2e Sonate en La: piano et violon / J. S. Bach. Révision par Vincent D'Indy. - Paris: Edition M. Senart, B. Roudanez et Cie; Paris: Senart Roudanez [1908?] 7, 5, [?]p + St. (2, 2, [?]p) (= Nouvelle Édition française de musique classique, 74-76) [BWV 1015] | NEdFrancMClassique | 74-76 | 7, 5p; 2, 2p | ||||
44. | [D'Indy, Vincent] (ed.) | 2 Gavottes favorites, en Sol et Ré / J. S. Bach. Paris: Maurice Sénart, B. Roudanez et Cie [c.1908]. (= Nouvelle Édition française de musique classique, 23) | NEdFrancMClassique | 23 | |||||
45. | Dyckerhoff, Gisela | 3. Internationale Bachwoche Wiesbaden. Berichte aus der Arbeit. | MKirche | 50 | 3 | 152-153 | |||
46. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (ed.) | 3 Sonaten / Bach. Leipzig: Peters, [s.a.] 39p. Best.-Nr. Ed. Peters 213. Pl.-Nr. 4518. (= Klavierwerke / Joh. Seb. Bach) [BWV 964 (nach BWV 1003), 965, 966] | EdPeters | 213 | 39p | ||||
47. | Henley, William (ed.) | 41 preludes and studies / Johann Sebastian Bach. For solo violin. Edited and arranged by William Henley. - London: Edwin Ashdown, [1910]. 51p. Pl.-Nr.: E.A.33254. (= International Edition, Vol. 14) | 51p | ||||||
48. | Szwajgier, Krzysztof | 4'33' to CAGE to BACH. [4'33' is CAGE is BACH] In: John Cage: Czlowiek--Dzielo--Paradoks. - Kraków: Akademia Muzyczna w Krakowie, 2014. ISBN: 978-83-62743-32-2; 83-62743-32-8. pp. 299-309. [B-A-C-H theme] | 299-309 | ||||||
49. | [Mendelssohn Bartholdy, Felix] (ed.) | 44 kleine Choralvorspiele für die Orgel von JOHANN SEBASTIAN BACH. Leipzig: Breitkopf & Härtel; London: Coventry & Hollier, [1845]. 3-51p. Pl.-Nr.: 7263. [BWV 599-606, 611, 607, 612, 608-610, 615, 613, 614, 616-618, 622, 620, 624, 619, 621, 623, 625-627, 629, 628, 630, 633, 632, 635-644] (BWV 631 and 634 are not included) | 51p | ||||||
50. | Nomura, Yasuhira | 4-seitai Koraru 'Watashi wa aware na Ningen' (BWV 179/6) ni taisuru arata na Kaishaku. [A new interpretation on the 4-part chorale 'Ich armer Mensch' (BWV 179/6)] Study and Reports. | OngakuGaku | 52 | 1 | 79-80 | |||
51. | Higuchi, Ryuichi | 4tsu no Duetto BWV 802-805 [in Clavierübung III]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [4 Duets; commentary; BWV 802-805] | BachZenshu | 11 | 224-225 [24-25] | ||||
52. | Synofzik, Thomas (ed.) | 50 Jahre Alte Musik im WDR. 1954 - 2004. Köln: Concerto-Verlag, 2005. 320p with 2 CDs. ISBN: 3-9803578-5-6. | [ce]50JahreAlteMusikImWDR | 320p | |||||
53. | Linsenmeyer, Klaus | 57. Bachfest der Neuen Bachgesellschaft in Würzburg. Berichte aus der Arbeit. | MKirche | 52 | 6 | 309-310 | |||
54. | Mayröcker, Friederike | 5. Brandenburgisches Konzert. | [ce]Bachfest_Salzburg | 106 | |||||
55. | Snieckowski, Seweryn (arr.) | 5 fug 4-glosowych na 2 trabki, róg i puzon / Johann Sebastian Bach. [Fünf Fugen, 4stg. bearb. für 2 Trompeten, Horn u. Posaune] Oprac.: Seweryn Snieckowski. [Partitur, Stimmen] - Krakow: Polskie Wydawn. Muzyczne, 1955. 22p + 3 St. Best.-Nr. PMW 1950. [BWV 878/2, 876/2, 891/2, 885/2, 874/2] | 22p + 3 St | ||||||
56. | D'Indy, Vincent (ed.) | 5me Sonate en Fa: piano et violon / J. S. Bach. Révision par Vincent D'Indy. - Paris: Edition M. Senart, B. Roudanez et Cie; Paris: Senart Roudanez [1908?] Part. + St. x 3. Pl.-Nr.: S.R. et Cie 171; S.R. et Cie 172. 1 : 2 parti (5, [1] p.); S.R. et Cie 171. 3 : 2 parti (7, [2] p.); S.R. et Cie 173. 2 : 2 parti (5, [1] p.) (= Nouvelle Édition française de musique classique, 171-173) [BWV 1018] | NEdFrancMClassique | 171-173 | 5, 5, 7p + St | ||||
57. | Nowotny, Carl (arr.) | 6 Duette für 2 Violinen [Spielpartitur] - Leipzig: Cranz [1901] 19p. Pl.-Nr. C. 39099. (= Sammlung von Fugen und Canons von Joh. Seb. Bach und L. Rotter für 2 Violinen bearb. und revidirt von Carl Nowotny, Heft 1) [Enth.: Fuga, BWV 961. Andante, BWV 802. Fuga, BWV 803. Moderato, BWV 804. Fuga, BWV 805. Gavotte, 811/7] | 19p | ||||||
58. | D'Indy, Vincent (ed.) | 6e suite française: Oeuvres originales / J. S. Bach. Ed. Vincent D'Indy. - Paris: Maurice Sénart; B. Roudanez, [c.1910]. 9p. Pl.-Nr.: S.R. et Cie. 277 to S.R. et Cie. 278. (= Nouvelle Édition française de musique classique, 277-278) [BWV 817] | NEdFrancMClassique | 277-278 | 9p | ||||
59. | Le Couppey, Félix (ed.) | 6 FUGUES / Seb. Bach mises en partition analysées et doigtées par F. Le Couppey. ... - Paris: Maison Maho, J. Hamelle, succr. [1884], 25p. Pl.-Nr.: J. 3194 H. [BWV 858/2, 851/2, 871/2, 875/2, 860/2, 857/2] | 25p | ||||||
60. | Miyake, Yukio | 6-kyoku no Furuto Sonata (BWV 1030-1035) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On flute sonatas, BWV 1030-1035; commentary] | BachZenshu | 13 | 201-207 [62-68] | ||||
61. | [D'Indy, Vincent] (ed.) | 6 Petits Préludes: Oeuvres originales / J. S. Bach. Paris: Maurice Senart [c.1908] 2 parts. Pl.-Nr.: 116; 115. (= Nouvelle Édition française de musique classique, 115-116) [BWV 924-943, 999] | NEdFrancMClassique | 115-116 | |||||
62. | Isoyama, Tadashi | 7-tsu no Tokkata ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [On 7 toccatas; commentary; BWV 910-916]. | BachZenshu | 12 | 212-215 [26-29] | ||||
63. | Kabalevsky, Dmitri [Kabalewski, Dimitrij] (arr.) | 8 kleine Präludien und Fugen für Orgel: Heft II [nos.5-8]. / J.S. Bach freie Bearbeitung für Klavier von D. Kabalewsky. - Moskau: Staatsmusikverlag; Wien: Universal-Edition, 1931. 17p. Best.-Nr. UE 10121 ; 11726. Pl.-Nr. U.E. 10121 ; M. 11726 G. [BWV 557, 558, 559, 560] | 17p | ||||||
64. | Kabalevsky, Dmitri [Kabalewski, Dimitrij] (arr.) | 8 kleine Präludien und Fugen für Orgel: Heft I [nos.1-4]. / J.S. Bach freie Bearbeitung für Klavier von D. Kabalewsky. - Moskau: Staatsmusikverlag; Wien: Universal-Edition, 1928. 17p. Best.-Nr. UE 10120. - 11726. Pl.-Nr. U.E. 10120. - M. 11615 G. [BWV 553-556 (Anh. II)] | 17p | ||||||
65. | Dunham, Henry Morton (ed.) | 8 short Preludes and Fugues and other Pieces ; Bach's Smaller Organ Works. adapted to the Modern Organ, with Registration, Pedalling, Fingering, etc. by H. M. Dunham. Augmented edition. - London: A. Lengnick & Co, [1912] (= Lengnick's Educational Albums, No. 56) [BWV 553-560 (Anh. II)] | |||||||
66. | [Grew, Sydney] | A Bach concerto and its performance. | BritishMusicianMNews | 11 | 12 (120): 1916 | 269-271 | |||
67. | [Grew, Sydney] | A Bach Correspondence: Between an Englishman and an American. | BritishMusicianMNews | 14 | 5 (137): 1933 | 114-116 | |||
68. | Kenyon, Nicholas | A Bach family portrait? Editorial. | EarlyM | 13 | 2 | 164 | |||
69. | Kinney, Doris | A Bach Festival in Madeira. | HiFiMAmer | 30 | 12 | 34f | |||
70. | Pernye, András | A Bach fesztivál hangversenyeiröl. | Muzsika | 7 | 8 | 14-16 | |||
71. | Fabian Somorjay, Dorottya | A Bach-interpretacio valtozo stilusa: Goldberg variációk 1945-1978. [BWV 988] | [fs]Kroo70 | 26-41 | |||||
72. | Davies, Anthony St John | A Bach Pilgrimage. Anthony St John Davies spent the summer following the Bach trail to Leipzig. | Organ | 74 | 291 | 41-42 | |||
73. | Humphreys, David | A Bach Polyglot - The A Major Prelude & Fugue BWV 536. | OrganYb | 20 | 72-87 | ||||
74. | Gerstlé, Henry S. | A Bach Recording. Correspondence. [ref. to Nov. issue p.253] | BritishMusicianMNews | 9 | 12 (96): 1892 | 281 | |||
75. | Terry, Charles Sanford | A Bach Relic. | MTimes | 76 | 1114 | 1075-1078 | |||
76. | Grave, Floyd K. | Abbé Vogler and the Bach Legacy. | 18cStud | 13 | 2 | 119-141 | |||
77. | Grave, Floyd K. | Abbé Vogler and the Study of Fugue. | MTheorySpec | 1 | 43-66 | ||||
78. | Hesford, Bryan (ed.) | A beginner's Bach: six short chorale preludes for organ. Registration and edition by Bryan Hesford. - Corby, Northamptonshire: Fentone Music, 1984. 10p. Pl.-Nr.: F262. (= The organist's library) [BWV 706, 751, 714, 724, 727, 721] | 10p | ||||||
79. | Kobayashi, Yoshitake | Abel - Gamba. | [ce]GakkiHakubutsukan | 33 | |||||
80. | Wood, Henry Joseph (arr.) | Abide with me: song for voice and orchestra by J.S. Bach Orchestrated by Henry J. Wood. - [Kendal], [1915] 4 Bl. [BWV 508] | 4 Bl | ||||||
81. | Pereira, Mayra | A boa execução em instrumentos de teclados segundo o Ensaio sobre a maneira correta de tocar teclado, de C.P.E. Bach. [Good keyboard music performance according to C.P.E. Bach's Versuch uber die wahre Art das Clavier zu spielen] | [cr]RioDeJaneiro2004 | 33-36 | |||||
82. | Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.) | About Bach. [Dedicated with affection to Christoph Wolff, Scholar; Mentor; Friend.] Urbana and Chicago: University of Illinois Press, 2008. xi, 216p. ISBN: 13: 978-0-252-03344-5; 10-0-252-03344-2. | [ce]AboutBach | xi, 216p | |||||
83. | Niemeyer, Annemarie | Abschied von Thomas-Kantor Günther Ramin, [in memoriam] Febr. 1956. Mitteilungen der Arbeitsgemeinschaft für Bachpflege. | KulturspiegelArnstadt | 15-16 | |||||
84. | Wollny, Peter | Abschriften und Autographe, Sammler und Kopisten. Aspekte der Bach-Pflege im 18. Jahrhundert; Die Erbteilung von 1750; Der Umgang mit dem väterlichen Erbe; Die Leipziger Bach-Pflege nach 1750; Die Berliner Überlieferung; Thüringer Überlieferung; Sammler um 1800. | BachNachwelt | 1 | 27-62 | ||||
85. | [Knyvett, William] | A catalogue of a very valuable and celebrated collection of music, the whole being actually the property of William Knyvett, Esq. (Who is retiring from London,) comprising the most choice vocal and instrumental productions of the english and foreign schools, ancient and modern [...] which will be sold by auction, by Mr. W. P. Musgrave, [...] on Thursday 30th June, and Friday 1st July, 1825, [...] London: W. Watson, 1825. 26p. | 26p | ||||||
86. | Crosby, Brian | A catalogue of Durham Cathedral music manuscripts. Oxford: Oxford University Press for the Dean and Chapter of Durham, 1986. xxxiii, 271p. ISBN: 0199201552. | xxxiii, 271p | ||||||
87. | Guy, Barry | Access all areas. Music Matters. Barry Guy explains why Bach and Xenalkis are on his player. | Strad | 112 | 1332 | 419 | |||
88. | [Grew, Sydney] | A Century Ago: Bach in England, I. | BritishMusicianMNews | 11 | 7 (115): 1911 | 157-160 | |||
89. | [Grew, Sydney] | A Century Ago: Bach in England, II. [Samuel Wesley as the first English Bachian] (To be continued.) | BritishMusicianMNews | 11 | 8 (116): 1912 | 184-186 | |||
90. | [Grew, Sydney] | A Century Ago: Bach in England, III. [Translation of Forkel in The Musical World in 1841.] | BritishMusicianMNews | 11 | 9 (117): 1913 | 208-209 | |||
91. | Bilica, Krzysztof | Ach, Bach?! - Ba, Chopin! In: Muzyka w kontekscie kultury. Studia dedykowane Profesorowi Mieczyslawowi Tomaszewskiemu w osiemdziesieciolecie urodzin (red. Malgorzata Janicka-Slysz, Teresa Malecka, Krzysztof Szwajgier). - Kraków: K Akademia Muzyczna w Krakowie, 2001. 868p. ISBN 83-87182-29-X. pp. 174-184. | 174-184 | ||||||
92. | Seiber, Mátyás (ed.) | Ach lieben Christen. Tenor Aria. Cantata No.114 / J. S. Bach Edited by Matyas Seiber. [text: German] - London: Boosey Hawkes & Son, c1951. 7p + St. Pl.-Nr.: B. & H. 16386c. (= J. S. Bach: Arias with flute obbligato. For Voice, Flute and Piano Accompaniment edited and arranged by Matyas Seiber.) [BWV 114/2] | 7p + St | ||||||
93. | Eyre, Edmund | A Choirboy's Bach. | MOpinion | 80 | 953 | 297 | |||
94. | Eickemeyer, Willy (ed.) | Acht Fugen für Klavier oder Cembalo von Wilh. Friedemann Bach. Nach einer zeitgenössischen Handschrift bearbeitet von Willy Eickemeyer. - Braunschweig: Litolff, 1937. 21p. (= Collection Litolff, 2796) | CollLitolff | 2796 | 21p | ||||
95. | Bruyck, Carl van (arr.) | Acht Fugen und vier Praeludien aus Joh. Seb. Bach's Wohltemperirtem Clavier als Trios für Violine, Viola und Violoncell arrangirt von Carl van Bruyck. Drei Hefte. - Leipzig: Breitkopf & Härtel, [1867]. 3 Stimmen (Heft 1 - vln: 2-5p, vla: 1-3p, vc: 1-3p; Heft 2 - vln: 2-5p, vla: 1-4p, vc: 1-4p; Heft 3 - vln: 2-5p, vla: 1-2p, vc: 1-3p). Pl.-Nr.: 11029a, 11029b, 11029c. [BWV 847/2, 866/2, 860/2, 854/2; 889/2, 879/2, 893/2, 882/2; 871/1, 876/1, 869/1, 893/1] | 3 St | ||||||
96. | Dykes Bower, John; Emery, Walter (eds.) | Acht kleine Präludien und Fugen / Johann Sebastian Bach. Neue Ausgabe von John Dykes Bower & Walter Emery. - London: Novello; Frankfurt: Alleinvertreter, Musik-Union, c.1952. 25p. Pl.-Nr.: 17575. (= Organ music (Novello). 1952, 1. ; Organ works / J.S. Bach, Book 1) [BWV 553-560 (Anh. II)] | OrgWorks(Novello) | 1 | [rev] | 25p | |||
97. | Schytte, Ludwig | Acht Silhouetten - Schattenbilder - nach Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Grieg, Rubinstein componirt als Variationen über ein Original- Thema. Op. 24. Berlin, [1884] | |||||||
98. | Synofzik, Thomas | Achtzehn Choräle. [BWV 651-668] | BachHandb | 4 | 2 | 601-621 | |||
99. | Perry, David W. | A cognitive neuropsychological analysis of melody recall. | ContempMReview | 9 | 97-111 | ||||
100. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p | diss. | 102, 89p | |||||
101. | Tovey, Donald Francis | A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. London: Oxford Univ. Press, 1931. 79p. | 79p | ||||||
102. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. MMus diss., University of Pretoria. 2000. | diss. | ||||||
103. | Zyl, Sonia van | A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. MMus diss., University of the Witwatersrand, 2015. xi, 125p. | diss. | xi, 125p | |||||
104. | McNulty, Loretta Jean Wood | A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky. MMus diss., Bloomington: Indiana University 1978. 90p. | diss. | 90p | |||||
105. | Sircy, Virginia Rice | A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. DMA diss., North Texas State Univ. 1980. x, 62p.; Ann Arbor, Mich. [usw.]: Univ. Microfilms Internat., 1982. | diss. | x, 62p | |||||
106. | Lowry, Palmer D. | A Comprehensive Index of J. S. Bach Books in English. | Organ | 63 | 247 | 36-45 | |||
107. | Choi, Jeeyoon | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. DMA diss., Boston University, 2007. 315p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3259813. | diss. | 315p | |||||
108. | Czerny, Carl; Bishop, John (eds.) | A CONCERTO IN THE ITALIAN STYLE, an Overture in the French Style, and a Theme with 30 Variations. / Composed by JOHN SEBASTIAN BACH. This Edition has been carefully fingered, supplied with the suitable marks of expression and an indication of the degrees of movement according to Maelzel's Metronome, by CHARLES CZERNY by whom it is dedicated to his friend HENRY ADAMS ESQr. - London: R. Cocks & Co., Royal Music Institution, 6, New Burlington Street, [1848]. [iii counting as 1] (index and preface), 4-83p. Pl.-Nr.: 6127. (= Book 5 of R. Cocks & Co's Edition of J. S. Bach's Works for the Piano Forte, revised by John Bishop of Cheltenham.) [Contents: Concerto in the Italian style, in F, pp. 4-19; Overture in the French style, with a grand Suite, in B minor, pp.20-37; Theme with Thirty Variations, for an instrument with two rows of keys, in G., pp. 38-83] [BWV 971, 831, 988] | Czerny-Bishop | 5 | 83p | ||||
109. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0. | diss. | xv, 199p | |||||
110. | Rhyne, David Ernest | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. DMA diss., University of Miami, 2007. 326p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-06448-0. Dissertation No: 3267723. | diss. | 326p | |||||
111. | Eder, Terry Edward | A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. DMA diss., Univ. of Oklahoma, 1979. 247p | diss. | 247p | |||||
112. | Buck, Percy C. | Acoustics for Musicians. Oxford: The Clarendon press, 1918. 152p. | 152p | ||||||
113. | Kenyon, Nicholas | A C. P. E. Bach Oratorio ['Auferstehung und Himmelfahrt Jesu' to be performed at Camden Festival] | MTimes | 118 | 1609 | 197-198 | |||
114. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) | diss. | ||||||
115. | D'Indy, Vincent (ed.) | Actus tragicus (O tendre maitre). Contr. / J. S. Bach. Paris: Maurice Sénart, B. Roudanez et Cie. [c.1908]. 3p. Pl.-Nr.: S.R. et Cie. 92. (= Nouvelle Édition française de musique classique, 92; 2e Série: Oeuvres pour Chant et Orchestre, transcrites pour Chant et Piano) | NEdFrancMClassique | 92 | 3p | ||||
116. | Higuchi, Ryuichi | 'Actus Tragicus' - sono Densho to Juyo. ['Actus Tragicus' BWV 106 - seine Überlieferung und Rezeption.] | OngakuGaku | 27 | 1 | 48-56 | |||
117. | Rothwell, Evelyn (arr.) | Adagio. arranged for oboe by Evelyn Rothwell.. - London: Chester, 1946. 3p. Pl.-Nr.: JWC1562. (= Music for oboe) ['This Adagio was originally written by Bach for oboe ... as the Sinfonia to Cantata BWV 156, Ich steh' mit einem Fuss im Grabe'] [BWV 156/1] | 3p | ||||||
118. | Meyer, Waldemar; Schwalm, Robert (arr.) | Adagio aus dem Violinkonzert (E dur) für Violine mit Pianoforte / Joh. Seb. Bach. Neue Ausg. bearb. v. Waldemar Meyer u. Robert Schwalm. - Leipzig: Steingräber [1901] [BWV 1042/2] | |||||||
119. | Brearley, Denis H. R. (arr.) | Adagio aus den Goldberg Variationen / Bach. [arr. f. ] Violine & Klavier oder Violine, Viola & Violoncello. ([Edited by] D. H. R. Brearley.) [piano score and parts] - London and New York: Hinrichsen Edition c.1960. 5p + 2 St. Pl.-Nr.: No. 284 Hinrischen Edition. [BWV 988/26] | HinrichsenEd | 284 | 5p + 2 St | ||||
120. | Dont, Jacob; Nowotny, Carl (arr.) | Adagio aus der ersten Sonate für Violine solo senza Basso von Joh. Seb. Bach. Mit Fingersatz...und Klavierbegeleitung von Jac. Dont. Rev. von C. Nowotny. Neue Ausg. - Leipzig: Brockhaus [s.a.]. 5p + 1 St. Pl.-Nr. M.B. 129. [BWV 1001/1] | 5p + 1 St | ||||||
121. | Stutschewsky, Joachim; Thaler, I. (ed.) | Adagio aus der Toccata C-Dur für Orgel / Johann Sebastian Bach. Bearb. J. Stutschewsky u. I. Thaler. [Klavierpartitur, Stimmen] - Leipzig: Peters, c1931. 3p + 1 St. Best.-Nr.: EP 4214. Pl.-Nr.: 10907. (= Meister-Weisen / Vc Kl, 5) - repr. 1952. [BWV 564/2] | EdPeters | 4214 | 3p + 1 St | ||||
122. | Nemerowsky, Alexandre (arr.) | Adagio du Concerto (A moll) / Joh. Seb. Bach. Moskau: Jürgenson [1897] (= Ecole pratique supérieure d'Orgue-Harm. Collection de Pièces transcrites p. Orgue-Harm., classées par l'ordre progressif et doigtées p. Alexandre Nemerowski, No. 18) | EcoleOrgueHarm(Nemerowski) | 18 | |||||
123. | Hess, Myra (arr.) | ADAGIO from Organ Toccata in C major, No.1 by J. S. BACH. Adapted for Piano Solo by Myra Hess. - London: Oxford University Press, [c.1937]. 3p. [BWV 564/1] | 3p | ||||||
124. | Murray, Anthony Gregory (arr.) | Adagio from the sixth Brandenburg concerto / J. S. Bach arranged for organ by Dom Gregory Murray. - London: Oxford University Press, c1939. 7p. [BWV 1051/2] | 7p | ||||||
125. | Stutschewsky, Joachim (arr.) | Adagio / Marcello-Bach. Bearb. für Violoncello und Klavier von Joachim Stutschewsky. [Klavierpartitur, Stimme] - [Wien]: Universal Ed., c1937. 3p + 1 St. Best.-Nr. UE 10928; Pl.-Nr. UE 10928. [BWV 974/2] | 3p + 1 St | ||||||
126. | Fabian, Dorottya | Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez. [Towards a performance history of J.S Bach's sonatas and partitas for solo violin: Preliminary investigations] (= Somfai László 70 eves) | MagyarZene | 42 | 3-4 | 311-335 | Latin 2 | ||
127. | Rohmeyer, Hartmut | Adam Gottfried Oehme, ein Nachfolger des Orgelbauers Gottfried Silbermann. Für Patrick Dinslage. | OrganYb | 12 | 104-119 | ||||
128. | Byron, May Clarissa Gillington | A Day with John Sebastian Bach. [London]: Hodder & Stoughton, [1914] 56p. (= Days with the Great Composers) | 56p | ||||||
129. | Yoon, Soomee | Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. DMA diss., Univ. of North Texas, Denton, 1994. 79p - Ann Arbor, Mich.: UMI, 1994. xi, 67p. AAT 9517661 | diss. | xi, 67p | |||||
130. | Naliwajek-Mazurek, Katarzyna | A Dialogue: Pawë Szymañski and Bach. A paper read in a dialogue session at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. | [p]BNUK_Warsaw | Latin 2 | |||||
131. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part I. | NACWPIJ | 29 | 1 | 4-15 | |||
132. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part II. | NACWPIJ | 29 | 2 | 19-26 | |||
133. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part III. | NACWPIJ | 29 | 3 | 47-54 | |||
134. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part IV. | NACWPIJ | 29 | 4 | 15-22 | |||
135. | Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. | Bach | 47 | 2 | 1-26 | |||
136. | McClary, Susan | Adorno plays the WTC: On political theory and performance. | IndianaTheoryReview | 27 | 2 | 97-112 | |||
137. | Beardsley, Monroe Curtis | Aesthetics: Problems in the Philosophy of criticism. New York: Harcourt, Brace & World, 1958. xv, 614p. | xv, 614p | ||||||
138. | Y., J. | [A. F. C. Kollmann and the introduction of Bach's music to England] Correspondence. To the editor of the 'Musical Times' | MTimes | 4 | 87 | 240 | |||
139. | Yates, P. | A few elementary questions about Bach. | MNews | 42 | 3-4, ff | ||||
140. | Kao, Phyllis Shu | Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor. by Phillis Shu KAO. MPhil diss., University of Hong Kong, 1995. v, 178p. | diss. | 186p | |||||
141. | Serauky, Walter | Affektenlehre. | MGG(1) | 1 | 113-121 | ||||
142. | Madry, Alina; [M¹dry] | 'Affektenlehre' in the Works of J. S. Bach and C. P. E. Bach. | CompostelaPrize | 2 | 113-121 | [cr]Regensburg2000, Latin 2 | |||
143. | Reinburg, Peggy Kelley | Affektenlehre of the Baroque era and their application in the works of Johann Sebastian Bach (specifically in the Schübler Chorales) | AmerOrganist(1) | 51 | 6 | 15-17, 28-30 | |||
144. | Murray, Anthony Gregory (arr.) | Affettuoso: from the fifth Brandenburg Concerto / J.S. Bach [arranged] for treble and tenor recorders and piano by Dom Gregory Murray. - London: Schott, c1954. 4p + St (2p). Best.-Nr.: RMS 574. Pl.-Nr.: S. & Co. Ltd 5776. (= Schott's Recorder Series, No. 39) [BWV 1050/2] | SchottRecorderSer | 39 | 4p + St | ||||
145. | Thyssen, Peter | Af kærlighed vil min frelser dø (Aus Liebe will meine Heiland sterben): Musik og kristendom i Johann Sebastian Bachs Matthæus-Passion. [Aus Liebe will meine Heiland sterben: Music and Christendom in Bach's Matthäuspassion] Frederiksberg: Forlaget Anis, 1995, 192p. ISBN: 87-7457-168-0. | 192p | ||||||
146. | Shenk, Mary Nic | A Florida Bach Festival. | HiFiMAmer | 29 | 6 | 34f | |||
147. | Kreyßig, August Hermann | Afraner-Album: Verzeichniss sämmtlicher Schüler der Königlichen Landesschule zu Meissen von 1543 bis 1875, 8422 an der Zahl. Meissen: Klinkicht, 1876. viii, 636p. - Nachtr. 1: 1893, 251p; 2: 1900, 160p. | viii, 636p | ||||||
148. | Abravaya, Ido | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | |||
149. | Burney, Charles | A General History of Music, From the Earliest Ages to the Present Period. London, Printed for the Author: And sold by Payne and Son..., vol.1: 1776, xviii, 501p; vol.2: 1782, pp. v [vi blank, vii - viii Contents], xviii, 501 [502 blank, 503 - 511 Index, 512 blank]; vol.3: 1789. [iv], 597 [598 blank]; xi [xii blank], 622 [623 - 633 Index, 634 Errata]; vol.4: 1789. [iv], 1- 68, 67 - 70, 69 - 118, 117 - 128, 127 - 688 [689 - 700 Index, 701 Errata, 702 blank]. - 2nd rev. edn. 1789. [Bach = vol.3: pp.110-112; vol.4: p.590f.] | |||||||
150. | Busby, Thomas | A General History of Music, from the Earliest Times to the Present; Comprising the Lives of Eminent Composers and Musical Writers. The whole accompanied with notes and observations, critical and illustrative. By Thomas Busby, Mus. Doc. ... 2 vols. - London, for G. and W. B. Whittaker, 1819. xii, 552; iv, 523p. | xii, 552; iv, 523p | ||||||
151. | Fábián Somorjay, Dorottya [Fabian Somorjay, Dorottya] | A Goldberg-variációk különbözõ felvételei: A Bach-interpretáció változása 1945-1981 között. [Various recordings of the Goldberg variations: Changes in Bach interpretation between 1945 and 1981] [BWV 988] | BachTanulmanyok | 6 | 17-34 | Latin 2 | |||
152. | [Drinker, Henry S.] (ed.) | Ah, God, from Heaven Look Anew ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1948] 24p. (= Choral Series, No. 140) [BWV 2] | ChoralSer(AssocAmerChorus) | 140 | 24p | ||||
153. | [Drinker, Henry S.] (ed.) | Ah God, How Sad and Sick at Heart ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1945] 22p. (= Choral Series, No. 23) [BWV 3] | ChoralSer(AssocAmerChorus) | 23 | 22p | ||||
154. | [Drinker, Henry S.] (ed.) | Ah How Fleeting, Ah How Futile. ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1946] 24p. (= Choral Series, No. 41) [BWV 25] | ChoralSer(AssocAmerChorus) | 41 | 24p | ||||
155. | Ho, Shao Ying | A Historiography of Musical Historicism: The Case of Johannes Brahms. MA diss., Texas State University, San Marcos, 2013. xi, 133p. | diss. | xi, 133p | |||||
156. | Haynes, Bruce | A history of performing pitch. The story of 'A'. Lanham MD; Oxford: Scarecrow Press, 2002. lvii, 568p. ISBN: 0-8108-4185-1; 978-0-8108-4185-7. [Sebastian Bach and Pitch = p. 229; Bach's Use of tief-Cammerthon at Leipzig = p. 239; Works by Bach in Which Pitch Is an Issue = p. 242] | 568p | ||||||
157. | [Drinker, Henry S.] (ed.) | Ah Lord Spare Thou this Sinner. ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1947] 20p. (= Choral Series, No. 92) [BWV 135] | ChoralSer(AssocAmerChorus) | 92 | 20p | ||||
158. | Rathey, Markus | Ai no Uta. Bach no Seigaku Sakuhin. [Love Songs: Bach's Vocal Works] Trans. by Sachiko Kimura [original title: Bach's Major Vocal Works: Music, Drama, Liturgy] / Tokyo: Shunju Sha, 2016. 224p. ISBN:978-4-393-93206-3. | 224p | ||||||
159. | Godfrey, Dan (arr.) | Air. (Arranged for military band by Dan Godfrey. Conductor [and parts].). - London: Chappell and Co, [1919] 29 St. (= Chappell's Army Journal ; no. 463) [BWV 1068/2] | 29 St | ||||||
160. | Meyer, Fritz (arr.) | Air. 2. Satz aus der D dur-Ouv. (Suite) / Joh. Seb. Bach. f. SoloViolin mit Violin, Viola (oder 2 V.) und Violoncello bearb. v. Fritz Meyer. - Leipzig: Bosworth & Co. [1908] [BWV 1068/2] | |||||||
161. | Burmester, Willy; Lier, Jacques van (arr.) | Air (auf der G-Saite) / J. S. Bach. Bearb. von Willy Burmester = arr. cello & piano by J. van Lier. [Score & Pt.] - London: F. Harris ; Berlin: Schlesinger, [1907]. 3p + St. Pl.-Nr. S. 9278(10), 9741 (= Stücke alter Meister, No.10) [BWV 1068/2] | AlteMeister(Burmester/Lier) | 2 | 10 | 3p + St | |||
162. | Burmester, Willy; Leeuwen, Ary van (arr.) | Air (auf der G-Saite) / J. S. Bach bearb. v. Willy Burmeister. Ausg. f. Fl. m. Pfte übertr. v. Ary van Leewen. - Berlin: Schlesinger, [1907] | AlteMeister(Burmester/Leeuwen) | 2 | 10 | ||||
163. | Nowotny, Carl (arr.) | Air (aus der D-Suite) für Violin und Pianoforte / Joh. Seb. Bach gesetzt und bezeichnet v. Carl Nowotny. - Wien: Universal-Edition [1910] [BWV 1068/2] | |||||||
164. | Hesford, Bryan (arr.) | Air: from Suite in D BWV 1068 (Air on the G string) / J.S. Bach. Arranged for organ by Bryan Hesford. - Corby: Fentone Music, c1984. [4]p. Best.-Nr.: F231. (= The organist's library) [BWV 1068/2] | 4p | ||||||
165. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (eds.) | Air / J. S. Bach. [aus Französische Suite No. 4] Für Klavier, hrsg. von Czerny, Griepenkerl, Roitzsch. - Leipzig: Peters, [1936] 3p. [BWV 815/5] | 3p | ||||||
166. | Pickles, Sydney (arr.) | Air on a G String: [from] Suite in D major: for piano / Bach [Edited by Sydney Pickles] - Leeds: Regina Music, [1967] [2]p. (= Lilac Series of World Famous Classics, No.82) [BWV 1068/2] | LilacSer | 82 | 2p | ||||
167. | Haywood, Ernest (arr.) | Air on the G String ... Arranged by Ernest Haywood, etc. [P. F.] - London: Keith Prowse Music Publishing Co, [1966] (= Favourite Classics for Piano, No. 42) [BWV 1068/2] | |||||||
168. | Zathey, Janusz | Akademia Bachowska w Krakowie. | RuchMuzyczny(3) | 30 | 26 | 16-17 | |||
169. | Murray, Michael | Albert Schweitzer, musician. Brookfield, VT: Ashgate, 1994. xiv, 161p. ISBN: 1-85928-031-5. - Aldershot: Scolar, 1994. | xiv, 161p | ||||||
170. | Wessely, Othmar | Albert Schweitzer - Musiker und Musikgelehrter. | OrganaAustriaca | 2 | 168-181 | ||||
171. | Cherniavsky, David | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. | Etude | 72 | 1 | 11, 63-64 | |||
172. | Beyrich, J. G. | Album. Auswahl classischer Compositionen von Scarlatti, Corelly, Sebastian u. Emanuel Bach, Händel, Haydn, Beethoven, Mozart, Clementi, Pleyel & Dussek. hrsg. von J. G. Beyrich. Dem Frl. Anna Meser [zugeeignet]. Heft 1-3. - Dresden: Meser, [1854] | |||||||
173. | Yearsley, David | Alchemy and Counterpoint in an Age of Reason | JAMSoc | 51 | 2 | 201-243 | |||
174. | Rathey, Markus | A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. | [p]BICB_Belfast | ||||||
175. | Tureck, Rosalyn | A lesson on 'Postillion's Air and Fugue' from Bach's 'Capriccio on the Departure of his Beloved Brother'. | PianoTeacher | 6 | 8-9 | ||||
176. | François-Sappey, Brigitte | Alexandre Pierre François Boëly, 1785-1855, ses ancêtres, sa vie, son œuvre, son temps. Paris: Aux Amateurs de Livres-Klincksieck, 1989. xiii, 627p. (= Domaine musicologique) | xiii, 627p | ||||||
177. | Fridecky, Frigyes | A lipcsei Bach-Versenyek magyar tanulságai. [Die Lehre des Bach-Wettbewerbes in Leipzig.] | Muzsika | 7 | 8 | 12-14 | |||
178. | Tovey, Donald Francis | A Listener's Guide to 'Die Kunst der Fuge.' | [ce]Tovey MusicAnalysis | Chamber | 75-89 | ||||
179. | Tureck, Rosalyn | All about Bach. | MArtists | 3 | 1 | 19 | |||
180. | Paczkowski, Szymon | Allegorical meaning of the polonoise in Bach's vocal works. A paper read at Tenth Biennial Conference on Baroque Music held at Universidad de La Rioja (Logroño) from 17 to 21 July 2002. | [p]BCB_Logrono | ||||||
181. | Nemerowsky, Alexandre (arr.) | Allegretto de la Sonate (C) / J. Ch. Bach. Moskau: Jürgenson [1897] (= Ecole pratique supérieure d'Orgue-Harm. Collection de Pièces transcrites p. Orgue-Harm., classées par l'ordre progressif et doigtées p. Alexandre Nemerowski, No. 14) | EcoleOrgueHarm(Nemerowski) | 14 | |||||
182. | Murray, Anthony Gregory (arr.) | Allegro ... Arranged for two treble recorders and piano (or harpsichord) by Dom Gregory Murray. [Score and parts.] - London: Oxford University Press, [1961] 3pt [BWV 530/3] | |||||||
183. | O'Leary, Arthur (ed.) | ALLEGRO MODERATO from the ITALIAN CONCERTO by J. S. BACH. Selected and fingered by ARTHUR O’LEARY. Price 4/=. - London: Edwin Ashdown, Hanover Square, [c.1890]. 1-9p. Pl.-Nr.: BACH, Allegro moderato. (Classics No. 12) (E A. N°. 16,142). (= THE PIANIST'S REPERTORY OF Classical Music, No. 12) [BWV 971/1] | Classics(Ashdown) | 12 | 9p | ||||
184. | Dont, Jacob; Nowotny, Carl (arr.) | Allegro und Prelude: zwei Sätze aus den Sonaten No. 2 u. 3 für Violine solo / Johann Sebastian Bach. Mit ... und Klavierbegleitung von Jacob Dont. Neue Ausg....von Karl Nowotny. Leipzig [u.a.]: Doblinger, [1907]. 16p + 1 St. Pl.-Nr. D. 3726; D. 3726a. [BWV 1003/4; 1006/1] | 16p + 1 St | ||||||
185. | Wollny, Peter | 'Allemande faite en passant le Rhin dans une barque en grand peril'. Eine neue Quelle zum Leben und Schaffen von Johann Jakob Froberger (1616-1667) | JbStaatInstMf | 2003 | 99-115 | ||||
186. | Haywood, Ernest (arr.) | Allemande in E minor / C.P. Emanuel Bach edited by Ernest Haywood. - London: Keith Prowse, c1955. 4p. Pl.-Nr.: K.P. & Co Ltd 6476. (= Favourite classics, 16) | 4p | ||||||
187. | Busby, Thomas | Allgemeine Geschichte der Musik von den frünesten bis auf die gagenwärtigen Zeiten; nebst Biographien der berühmtesten musikalischen Compònisten und Schriftsteller. Aus dem Englischen übers, und mit einigen Anmerkungen und Zusätzen begleitet von Christian Friedrich Michaelis. In zwei Bänden. - Leipzig: Baumgärtuerschen Buchhandlung, 1821-2. xvi, 586, [ii]; vii, 711, [iii]p [Bd.2, S.602-610: Thematishes Verzichnis der in der erwähnten Sammlung enthaltenen Stücke von J. S. Bach' (C.F.Michaelis)] | 586, 711p | ||||||
188. | Wollny, Peter | Allgemeine Strategien in Bachs I. Kantatenjahrgang: Einleitung. Paper read at 3. Internationales Dortmunder Bach-Symposion, 31. Januar bis 2. Februar 2000. | [p]BS_Dortmund | ||||||
189. | Wollny, Peter; Wolff, Christoph | Allgemeine Strategien in Bachs I. Leipziger Kantatenjahrgang: Einleitung. | DortmundBachF | 3 | 23-40 | ||||
190. | [Drinker, Henry S.] (ed.) | All Glory to the Lord. ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1947] 36p. (= Choral Series, No. 99) [BWV 129] | ChoralSer(AssocAmerChorus) | 99 | 36p | ||||
191. | [Drinker, Henry S.] (ed.) | All Glory to the Lord of Lords. ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1947] 26p. (= Choral Series, No. 91) [BWV 117] | ChoralSer(AssocAmerChorus) | 91 | 26p | ||||
192. | [Drinker, Henry S.] (ed.) | All Must be as God Doth Will It. ... Translation by Henry S. Drinker. [Vocal Piano Score] - [Philadelphia]: Association of American Choruses [c.1946] 28p. (= Choral Series, No. 45) [BWV 72] | ChoralSer(AssocAmerChorus) | 45 | 28p | ||||
193. | Wollny, Peter | Alte Bach-Funde. | BachJb | 84 | 137-148 | ||||
194. | Heyder, Bernd (behe) | Alte Instrumente erwünscht. Das Leipziger Bachfest (21.-30.7.2000). | Concerto | 17 | 156 | 13-15 | |||
195. | Leisinger, Ulrich; Wollny, Peter | 'Altes Zeug von mir': Carl Philipp Emanuel Bachs kompositorisches Schaffen vor 1740. | BachJb | 79 | 127-204 | ||||
196. | Wollny, Peter | Altnickol, Johann Christoph. | MGG2(Personen) | 1 | 549-552 | ||||
197. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. | diss. | 133p | |||||
198. | Chrysander, Friedrich | Am 23. Februar. [Über Bach, Händel und Schütz]. [Vorausschau auf das musikalische Jubeljahr 1885 am 190sten Geburtstage Händel's. Schütz, Händel, J. S. Bach] | AllgMlZ(3) | 10 | 9 | 129-130 | |||
199. | Welter, Kathryn | A Master Teacher Revealed: Johann Pachelbel's Deutliche Anweisung. | [ce]AboutBach | 3-13 | |||||
200. | Taylor, Nik | A Meditation on Peter's Denial in J. S. Bach's Passions. A paper read at the annual meeting of the Forum on Music and Christian Scholarship on 27 February 2009 at Notre Dame University, IN. | [p]FMCS_NotreDame | ||||||
201. | Rathey, Markus | American Bach Society Biennial Conference 26-29 April 2018 Yale University. | BachNotesABS | 27 | 5-6 | ||||
202. | Hill, Richard Synyer | A mistempered Bach manuscript. | Notes | 7 | 3 | 377-386 | |||
203. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] | diss. | 105p | |||||
204. | Kelly, Elaine | 'A More Beautiful Era of Art.' Figurenlehre, Style Brisé and Other Baroque Elements in Brahms's Piano Compositions: Brahms's Involvement as a Scholar, Performer and Editor of Baroque Keyboard Music and the Effect It Exerted on His Compositional Style. PhD diss., Musicology, Queen's University, Belfast, 2002. 2 vols., v, 500 p. | diss | v, 500p | |||||
205. | Houston, Kerry; White, Harry (eds.) | A musical offering: Essays in honour of Gerard Gillen. Kerry Houston & Harry White, Editors. - Dublin: Four Courts Press, 2017. xiv, 400p. ISBN: 978-1-84682-658-0. | [fs]Gillen | xvi, 400p | |||||
206. | McNulty, Sarah | A Musical-Rhetorical Vocabulary in C.P.E. Bach's Flute and Continuo Sonatas Wq. 125-129, 134 and Implications for Performance. | EarlyMPerformer | 25 | 14-26 | ||||
207. | Lloyd, Llewelyn S. | A Musical Slide Rule. London; New York: Oxford University Press, 1938. 25p. | 25p | ||||||
208. | Fabian, Dorottya | A musicology of performance: theory and method based on Bach's solos for violin. Cambridge: Open Book Publishers, 2015. ii, 339p. ISBN: 978-1-78374-153-3. | ii, 339p | ||||||
209. | Halley, Jeanne | A mysterious lacuna: Reconsidering the exclusion of French Baroque music and dance from the curricula. | MBAmerM | 20 | 189-202 | ||||
210. | Burney, Charles | An Account of an Infant Musician. XVIII. [in a series]; Read February 18, 1779. To Dr. William Hunter, F. R. S.; In: Philosophical Transactions of the Royal Society of London, vol. 69 (1779), pp.183-206, at p.202. - Repr. in Edmund Burke: The Annual Register, or a View of the History, Politics, and Literature, For the Year 1779. (J. Dodsley, 1780, 2/1786). pp.75-86 at p.84. | |||||||
211. | Burney, Charles | An account of the Musical Performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784. In commemoration of Handel. London, Printed for the benefit of the Musical Fund, and sold by T. Payne and G. Robinson, 1785. vii, xvi, 139p. - Facs Repr. [Amsterdam, F.A.M. Knuf, 1964; New York: Da Capo Press, 1979. [Bach = p.40] | vii, xvi, 139p | ||||||
212. | Chailley, Jacques | Anagrammes musicales et 'langages communicables'. | RevueMcol | 67 | 1 | 69-79 | |||
213. | Bogatyrëv, Semën S. | Analiz nekotorych fug Bacha. [Analyse einiger Fugen von Bach.] | [ce]Bogatyrev | 29-52 | |||||
214. | Tomita, Yo | Analysing Bach's ink through a glass darkly. | MTimes | 139 | 1865 | 37-38, 40-42 | |||
215. | Folio, Cynthia | Analysis and Performance of the Flute Sonatas of J. S. Bach: a Sample Lesson Plan. [BWV 1035] | JMTheoryPedag | 5 | 2 | 133-159 | |||
216. | Chen, Yin-Lin; Wang, Tien-Ming; Liao, Wei-Hsiang; Su, Alvin W. Y. | Analysis and trans-synthesis of acoustic bowed-string instrument recordings - a case study using Bach Cello Suites. Proceeding of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. | |||||||
217. | Wood, Henry Joseph | Analytical notes for the choristers on Bach's Mass in B Minor. Sheffield: J. W. Northend, [1910]. 5 pt. | 5 pt | ||||||
218. | Trolier, Kimberly Ann | Analytical topics in Bach's flute sonatas. DMA diss., Temple University, 2001. 79p | diss. | 79p | |||||
219. | Wagner, Edyth | Analyzing a Bach Prelude. Mus. exx. 33-34. [BWV 847/1] | Clavier | 8 | 7 | 35-38 | |||
220. | Emery, Walter | An American Manuscript: Two Unknown Pieces by Bach? [Yale, LM 4938] | MTimes | 95 | 1338 | 428-430 | |||
221. | Tretick, Sidney J. | An analysis of performance practices for the Johann Sebastian Bach chaconne based upon the Anna Magdalena Manuscript. Univ. of Colorado 1958, 79p - Ann Arbor: Univ. Microfilms 1958. (= Ann Arbor Microfilms. LC No. Mic 58-1246) [BWV 1004/5] | diss. | 79p | |||||
222. | Murphy, Eliana Maria | An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations'). DMA diss., University of Cincinnati, College-Conservatory of Music, 2013. xv, 122p. | diss. | xv, 122p | |||||
223. | Rabin, Judy Ellen | An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. MA thesis, State University of New York at Binghamton, 1975, 144p. | diss. | 144p | |||||
224. | Cypess, Rebecca | Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. | Bach | 47 | 1 | 21-65 | |||
225. | Murray, Anthony Gregory (arr.) | Andante from Cantata No. 74. / J. S. Bach [Wer mich liebet. Komm, komm, mein Herze] For descant and treble recorders and piano. Arranged by Dom Gregory Murray. [Score and part.] - London: Schott & Co, [1966] 4p + 1 St. Best.-Nr.: RMS 1236. Pl.-Nr.: S & Co. 6668. (= Schott's Recorder Series, No. 60) [BWV 74/2] | SchottRecorderSer | 60 | 4p + 1 St | ||||
226. | Murray, Anthony Gregory (arr.) | Andante from the second Brandenburg concerto / Joh. Seb. Bach For treble and tenor recorders and piano (harpsichord). Arranged by Dom Gregory Murray. [Score and part.] - London: Schott & Co, [1954] 4p + 2 St. Best.-Nr.: RMS 708. Pl.-Nr.: S. & Co. 5843. (= Schott's Recorder Series, No. 42) [BWV 1047/2] | SchottRecorderSer | 42 | 4p + 2 St | ||||
227. | Siloti, Alexander Ilyich (arr.) | Andante (From the Sonata for Violin Solo in A Minor) J. S. Bach. Transcribed for Piano Solo by A. Siloti. - New York: Carl Fischer, [c.1900]. 5p. Edition Nr. P-1543. [BWV 1003/2] | 5p | ||||||
228. | Scott, Cyril (arr.) | Andante in F (from the Clavier Sonata in D minor) / J.S. Bach Conceived for Two Pianos (Four hands) by C. Scott. - London: Elkin, c1936. 7p. Pl.-Nr.: E. & Co. 1928. [BWV 964 (nach BWV 1003)] | 7p | ||||||
229. | Tilley, Janette (ed.) | Andreas Hammerschmidt: Geistlicher Dialogen Ander Theil. Edited by Janette Tilley. - Middleton, WI: A-R Editions, 2008. xxv, 108p. ISBN: 0-89579-625-2; ISBN: 978-0-89579-625-7. (= Recent researches in the music of the Baroque era, B 150) | RecentResearchMBaroq | 150 | xxv, 108p | ||||
230. | Serauky, Walter | Andreas Werckmeister als Musiktheoretiker. | [fs]MaxSchneider60 | 118-122 | |||||
231. | Trochimczyk, Maja | Andriessen and the art of composing. In: The music of Louis Andriessen. New York: Routledge, 2002. xii, 327p. ISBN: 0-8153-3789-2 (= Studies in contemporary music and culture, 7); 277-296. | 277-296 | ||||||
232. | Spanyi, Miklos | An easy sonata of Carl Philipp Emanuel Bach and its less easy embellishments. | ClavichordInternat | 3 | 1, 2 | 17-19; 45-46 | |||
233. | Emery, Walter | A Neglected Bach Manuscript. [RCM 814; BWV 545b (Anh. II)] | MReview | 11 | 3 | 169-174 | |||
234. | Lychner, John A. | An empirical study concerning terminology relating to aesthetic response to music. [BWV 565] | JResearchMEduc | 46 | 2 | 303-319 | |||
235. | Ornoy, Eitan | An empirical study of intonation in performances of J.S. Bach's sarabandes: Temperament, 'melodic charge', and 'melodic intonation'. | OrbisMusicae | 14 | 37-76 | ||||
236. | Moroney, Davitt | A New Completion for Bach's Unfinished Harpsichord Fugue in c Minor, BWV 906/2. | [fs]Jeans75 | 113-120 | |||||
237. | Tomita, Yo | A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. A paper read at the British Musicology Conference in April 1996 (King's College, London). http://www.mu.qub.ac.uk/tomita/bmc1996/KV405.html | [p]BMC_London | ||||||
238. | Wollny, Peter | A newly-discovered Bach autograph from the Weimar period. A paper read at American Bach Society conference (Yale University, New Haven, Connecticut, 25 April 1998) | [p]ABS_Yale | ||||||
239. | Wollny, Peter | A newly discovered Bach autograph from the Weimar period. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. | [p]BCB_Exeter | ||||||
240. | Kenyon, Nicholas | A newly discovered group of canons by Bach. | MTimes | 117 | 1599 | 391-393 | |||
241. | Fábián, Dorottya; Schubert, Emery | A new perspective on the performance of dotted rhythms. Observations. [BWV 988 var.7] | EarlyM | 38 | 4 | 585-588 | |||
242. | Clark, Robert Haydon | A new recording to document old traditions: The restored Hildebrandt organ at Naumburg. | GOArtPub | 13 | 23-27 | ||||
243. | Fabian, Dorottya; Schubert, Emery | An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt In: Aesthetics and experience in music performance, ed. Elizabeth Mackinlay, Denis Collins and Samantha Owens. Newcastle upon Tyne: Cambridge Scholars Press, 2005. xxiv, 348p. ISBN: 1-904303-50-1; 978-1-904303-50-3; pp.70-84. | 70-84 | ||||||
244. | Colley, Ann; Banton, Louise J.; Down, Julia | An expert-novice comparison in musical composition. | PsycholM | 20 | 2 | 124-137 | |||
245. | Wollny, Peter | 'Angenehmes Wiederau, freue dich in deinen Auen'. Johann Sebastian Bachs Huldigungskantate, BWV 30a. | SüdraumJ | 4 | 36-39 | ||||
246. | Mundry, Johannes | Angenehm verpacktes Wissen - Das neue Bach-Museum in Leipzig. Berichte | MKirche | 80 | 3 | 227 | |||
247. | Higuchi, Ryuichi | Anhalt-Köthen Ko Leopold no tame no Soso Ongaku BWV 244a no Seiritsu to Parody no Shomondai. [Problems on the origin and parody in the funeral music (BWV 244a) for Prince Leopold of Anhalt-Köthen] | OngakuGaku | 20 | 2 | 98-116 | |||
248. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. MMus diss., University of South Africa, 1997. | diss. | ||||||
249. | Tureck, Rosalyn | An introduction to Bach. | MLetters | 42 | 2 | 196-198 | |||
250. | Tureck, Rosalyn | An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck 3 vols. - London, New York, Toronto: Oxford Univ. Press 1960, 23p, 24p, 39p. | 24p | ||||||
251. | Playford, John | An Introduction to the Skill of Music. London: William Godbid, 1655. In 3 vols., 11/1687, 12/1694 cor., amended by Henry Purcell, 13/1697. | |||||||
252. | Emery, Walter | An Introduction to the Textual History of Bach's Clavierübung, Part II. | MTimes | 92 | 1299, 1300 | 205-209; 260-262; (362) | |||
253. | Kirby, Frank Eugene | An introduction to western music: Bach, Beethoven, Wagner, Stravinsky. New York: Free Press; London: Collier-Macmillan, [1970] xviii, 456p | xviii, 456p | ||||||
254. | [Beyer und Maring] | Ankündigung eines neuen praktischen Werks für Organisten. [Schluß:] Erfurt, im Ianuar 1800. Beyer und Maring. Buchhändler. [Kittel als Schüler Bachs] | AllgMlZ | 2 | Intel 12 | 48-50 | |||
255. | Wollny, Peter | Anmerkungen zu Carl Philipp Emanuel Bachs Kompositionen im 'strengen Stil'. | JbStaatInstMf | 1997 | 62-73 | ||||
256. | Grychtolik, Alexander Ferdinand | Anmerkungen zu den Aufführungsstätten J. S. Bachs in Weimar. Kleine Beiträge. | BachJb | 99 | 309-318 | ||||
257. | Wollny, Peter | Anmerkungen zu einigen Berliner Kopisten im Umkreis der Amalien-Bibliothek. | JbStaatInstMf | 1998 | 143-162 | ||||
258. | Wollny, Peter | Anmerkungen zum Kantatenrepertoire der Mügelner Kantorei im 18. Jahrhundert. | SchrRMittDMges | 2 | 2 | 127-145 | |||
259. | Wollny, Peter | Anmerkungen zur Bach-Pflege im Umfeld Sara Levys. | BeitrGesBachRezeption | 1 | 39-49 | [cr]IK_Leipzig2005 | |||
260. | Wollny, Peter | Anmerkungen zur Bach-Überlieferung in Thüringen. Paper read at Internationales musikwissenschaftliches Kolloquium: Bach und seine mitteldeutschen Zeitgenossen. Erfurt und Arnstadt 13.-16.1.2000. | [p]IMK_Erfurt | ||||||
261. | Wollny, Peter | Anmerkungen zur Überlieferungs- und Aufführungsgeschichte des Magnificat Wq 215 von Carl Philipp Emanuel Bach. | CPEBachKonzepteSR | 3 | 1 | 15-29 | |||
262. | Mooser, Robert Aloys | Annales de la musique et des musiciens en Russie au XVIIIme siècle. Tome 1: Des origines à la mort de Pièrre III (1762). Genève: Mont-Blanc, 1948. 456p. [BDok1/57 = 134f. u. ö] | 456p | ||||||
263. | Tomita, Yo | Anna Magdalena as Bach's Copyist. A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009. | [p]Women_Yale | ||||||
264. | Tomita, Yo | Anna Magdalena as Bach's Copyist. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. | [p]BNUK_Oxford | ||||||
265. | Tomita, Yo | Anna Magdalena as Bach's Copyist. http://www.bachnetwork.co.uk/ub2/tomita.pdf | UnderstandingBach | 2 | 59-76 | ||||
266. | Sela, Yael | Anna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany. Young Scholars' Forum 2010. http://www.bachnetwork.co.uk/ub5/sela.pdf | UnderstandingBach | 5 | 87-97 | ||||
267. | Sela, Yael | Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. | [p]BICB_Belfast | ||||||
268. | Meyers, Anne Akiko; Ramey, Corinne | Anne Akiko Meyers looks at both parts of the Bach double. [BWV 1043] | Strings | 27 | 1:208 | 27-28 | |||
269. | Emery, Walter | A Note on Bach's Use of Triplets. [BWV 543a, 608] | BachSt | 5 | 109-111 | ||||
270. | Emery, Walter | A Note on Sigla. | MonMRec | 83 | 943 | 16-18 | |||
271. | Emery, Walter | A Note on the History of Bach's Canonic Variations. | MTimes | 104 | 1439 | 32-33 | |||
272. | Payne, Ian | Another Telemann Misattribution: Doubtfully Bred. | MTimes | 140 | 1869 | 37-42 | |||
273. | Manaris, Bill; Johnson, David; Vassilandonakis, Yiorgos | A novelty search and power-law-based genetic algorithm for exploring harmonic spaces in J.S. Bach chorales. In: Evolutionary and biologically inspired music, sound, art and design. - Heidelberg: Springer, 2014. ISBN: 978-3-662-44334-7; 3-662-44334-1; 978-3-662-44335-4; 3-662-44335-X.; (= Lecture notes in computer science, 8601) pp.95-106. | 95-106 | ||||||
274. | Meyer, Ulrich | Anregungen aus Bachs Kantatentexten für heutige Evengelienmusik. | [cr]Eisenach1996 | 171-178 | |||||
275. | Meyer-Sichting, Gerhard | Ansbacher Tagebuch: Bachwoche Ansbach 1952. | BachWoche_Ansbach | 62-71 | |||||
276. | Ryom, Peter | Antonio Vivaldi: Table des concordances des œuvres (RV). København: Engstrøm & Sødring, 1973. 92p. ISBN: 8787091003. | 92p | ||||||
277. | Ryom, Peter | Antonio Vivaldi: thematisch-systematisches Verzeichnis seiner Werke (RV). Wiesbaden [u.a.]: Breitkopf & Härtel, 2007. xxx, 633p. ISBN-13: 978-3765103728. | xxx, 633p | ||||||
278. | Mendelssohn Bartholdy, Felix | [Antwort auf Härtels Anfrage nach Überlassung seiner handschriftlichen Partitur der Messe in h] Quelle: Felix Mendelssohn Bartholdy an Breitkopf & Härtel, 3. März 1845. Zit. nach: Elvers Verleger-Briefe 1, Brief Nr. 166. [BWV 232; Dresdner Originalstimmen] | |||||||
279. | Wollny, Peter | An Unknown Collection of Organ Dispositions from Bach's Circle. A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012. | [p]ABS_Rochester | ||||||
280. | Wollny, Peter | An Unknown Collection of Organ Dispositions from Bach's Circle. | [fs]Koopman | 293-303 | |||||
281. | Carneyro, Cláudio | Análise de 'O cravo ben Temperado'. | ArteMusical(4) | 24 | 738-757 | ||||
282. | Pernye, András | A népszerü Bach. [Bach's popularity today.] | Kritika | 6 | 35-39 | ||||
283. | Adiloglu, Kamil; Noll, Thomas; Obermayer, Klaus | A Paradigmatic Approach to Extract the Melodic Structure of a Musical Piece. | JNewMResearch | 35 | 3 | 221-236 | |||
284. | Gauntlett, Henry John (ed.) | A PASSACAGLIA, being XX VARIATIONS and GRAND FUGUE on a GROUND BASE. / [J. S. Bach] London: C. Lonsdale, [1838]. 58-69p. Pl.-Nr.: J. S. Bach's Works, No. 13. [Left] 224. [Centre] (= Choral and instrumental fugues of John Sebastian Bach ... by Henry John Gauntlett, Book 3, No. 13) [BWV 582] | ChoralInstrFugues(Gauntlett) | 3 | 13 | 58-69 | |||
285. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. | diss. | 92p | |||||
286. | Thierbach, Sue Ellen Puyear | A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian. DA diss., Univ. of Northern Colorado, 1999. xxii, 286p. [Dissertation Number: UMI AAI9927749] [BWV 1042] | diss. | xxii, 286p | |||||
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